It is also worth remembering that compute isolation is only half the problem. You can put code inside a gVisor sandbox or a Firecracker microVM with a hardware boundary, and none of it matters if the sandbox has unrestricted network egress for your “agentic workload”. An attacker who cannot escape the kernel can still exfiltrate every secret it can read over an outbound HTTP connection. Network policy where it is a stripped network namespace with no external route, a proxy-based domain allowlist, or explicit capability grants for specific destinations is the other half of the isolation story that is easy to overlook. The apply case here can range from disabling full network access to using a proxy for redaction, credential injection or simply just allow listing a specific set of DNS records.
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The optimization treadmill
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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